Why Don T Katseye Write Their Own Songs

So, you’re obsessed with Katseye—like, really obsessed. You’ve memorized the choreography for “Touch,” you scream-sing every bridge, and you love their voices. But then, one evening, while you’re deep-diving the credits on Spotify, you notice something: “Written by…” None of them are the eight girls you stan. And you think, “Wait—why don’t Katseye write their own songs?” Good question, friend. Let’s grab a coffee (or a boba) and chat it out.

First off, let’s get one thing straight: Not writing songs doesn’t mean they’re not artists. It’s like assuming a master baker has to grow the wheat. Katseye is a group put together by HYBE and Geffen Records, two giants with a playbook that’s been refined for decades. Their goal? To launch a global girl group that slays from Day 1. And the quickest way to do that? Curate a killer debut. Think of it as getting a Michelin-star chef to cook your birthday dinner—it’s not that you can’t cook, but why risk a burnt lasagna when you can have a perfect soufflé?

But wait—there’s more to the story. Writing songs is a skill, not a personality trait. Some of the greatest pop voices of all time—think Whitney Houston, Celine Dion, or even early Britney—rarely wrote their own hits. They were interpreters, turning someone else’s lyrics into magic. Katseye’s members are phenomenal vocalists and dancers, trained for years in vocal agility and performance. Throwing lyric-writing into the mix right now? That’s like asking a Formula 1 driver to also build the engine mid-race. They’re focused on owning the stage, first and foremost.

Also, let’s peek behind the curtain. The K-pop-meets-Western system that birthed them is intense. These girls trained for years—some since childhood—learning Korean, English, dance, and media etiquette. They were drilled in harmony, stage presence, and how to smile through jet lag. Adding “hit songwriter” to that to-do list would be chaotic (but hey, imagine the stress-vibes in the dorm!). Instead, the labels invest in top-tier producers like BIGHIT’s hitmakers and Western pros who craft songs tailored to their voices. It’s a collaboration, not a betrayal.

And here’s a little inside scoop: They might be writing—just not as you expect. Many groups start their careers this way, and then, as they grow, they earn more creative control. Remember when Ariana Grande started as a Nickelodeon star, singing someone else’s tunes? Now she has grammys for writing. Katseye’s members have been spotted in studio vlogs, huddled over notepads during downtime. They’ve talked in interviews about wanting to share their own stories eventually. So this “phase” might be a birthing stage, not a permanent cage.

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Plus, let’s be real—would you rather they deliver a perfectly polished, tear-jerking banger written by a genius, or a clunky, “but I wrote it” track that makes you cringe? Exactly. The music industry is a business, and right now, Katseye is building a brand. Their job is to win your heart, make you dance, and sell out arenas. Songwriting credits come later, once they’ve earned the trust to experiment.

So, my dear stan, don’t fret. Katseye isn’t a factory—they’re a garden. Right now, the flowers are being watered by expert gardeners. Soon enough, those petals will learn to grow themselves. Until then, keep vibing to their songs, scream the lyrics, and trust the process. Your favorite group is going to evolve, and when they do, you’ll be the one singing, “I was here from the start.” And that? That’s beautiful.

Now, turn up the volume, and let’s dance like nobody’s watching. Katseye forever! ✨